We first cut a this part of the clip in to represent that a murder has taken place.
We cut an image of Nona in to show who had been murdered
We then cut an image of Christopher Danevig in to show who her murderer was.
(Our own edit)
We used a shot from the clip of Nona's photographs to give this section of our documentary more of a personal feel.
(From the actual clip not our filming)
Mid shot to show Data on computer screen
Straight on (As this is a computer screen)
No lighting (This is a computer screen)
We cut this section in, when it is being explained that Danevig started Stalking Nona on Facebook. This represents that stalking.
(Our footage)
We edited this clip in of Nona as the voice over is explaining that Davevig found out Nona was an animal lover. This image definitely relates to that notion.
(A photo we edited in here)
We cut this image in as it adds a more human side to this whole experience. This is Nonas mother. It pulls on audiences sympathy as she is clearly devastated.
(Not our footage)
Mid shot to show Data on computer screen
Straight on (As this is a computer screen)
No lighting (This is a computer screen)
We edited a screen recording that we took of someone typing the name Jason green into their Facebook bar. We then overlaid it with a clip from the segment on the Nona case, of Danevig in a police car, hiding his face from the cameras.
We did this as this is the section where it is being explained that Nona had started receiving messages from a stranger called Jason Green. We edited this shot like this because we wanted to Make it look like Nona was searching up the name Jason green, but show the nature of the monster behind him, by overlaying a clip of Danevig in a police car cowardly hiding his face.
(Both our footage and not our footage)
Mid shot to show Data on computer screen
Straight on (As this is a computer screen)
No lighting (This is a computer screen)
We took a screen recording of a conversation occurring over messages. It is the imagined conversation that Nona and Danevigv may have had about her working at wires. In this section the audio describes how Nona was extremely excited for a chance tow work with wildlife at wires which is why we edited this conversation into this section.
(our footage)
Mid shot to show Data on computer screen
Straight on (As this is a computer screen)
No lighting (This is a computer screen)
The explanation of how James Dannevig tricked Nona into thinking she worked for Wires is continued which is why we kept the overlay of the conversation on the screen, but underneath is the shot of Christopher Danevig talking to interviewers. We edited it like this to represent that this man was behind this whole scam
(Our footage and not our footage)
Mid shot to show Data on computer screen
Straight on (As this is a computer screen)
No lighting (This is a computer screen)
We edited this section of the clips footage in here as it explains a lot about Christopher Dannevigs character and more on the situation on how he lured Nona to the bushland. It also shows him in a negative light which is what we are trying to do in this documentary.
(Not our footage)
Mid shot to show Data on computer screen
Straight on (As this is a computer screen)
No lighting (This is a computer screen)
In this shot we overlaid Jason green logging into his Facebook profile with many images of Nona as we are told that he stalked her on Facebook.
We edited this section of the clips footage in here as it explains a lot about Christopher Dannevigs character and more on the situation on how he lured Nona to the bushland. It also shows him in a negative light which is what we are trying to do in this documentary.
(Not our footage)
We edited this section of the clips footage in here as it explains a lot about Christopher Dannevigs character and more on the situation on how he lured Nona to the bushland. It also shows him in a negative light which is what we are trying to do in this documentary.
(Not our footage)
Mid shot to show Data on computer screen
Straight on (As this is a computer screen)
No lighting (This is a computer screen)
High angle: To show that someone is texting on a phone
Mid shot: To not get too much detail about what is being texted but only the fact that texting is happening
lighting: Dark to represent that something creepy is happening.
In this shot we overlaid more of the imagined conversation between Nona and Christopher and a shot of someone texting in the dark. In this section it is being explained to the audience how Christopher preyed on Nona through tricking her over Facebook. These shots are just meant to support that.
(Our footage)
We edited this section of the clips footage in here as it explains a lot about Christopher Dannevigs character and more on the situation on how he lured Nona to the bushland. It also shows him in a negative light which is what we are trying to do in this documentary.
(Not our footage)
This was a clip from the documentary of the police searching for Nonas body. We put this in her to represent the tragedy and waste that occurred as a result of Danevigs actions.
(Not our footage)
We put this shot in here from the clip to show the consequences of Danevigs actions and the fact he is being jailed for years for this crime. We edited minimum 21 years over the top of this.
(Not our footage)
High angle: To show that someone is texting on a phone
Mid shot: To not get too much detail about what is being texted but only the fact that texting is happening
lighting: Dark to represent that something creepy is happening.
This is to represent that talking online to people you don't know in real life can often be very dangerous
(our clip)
(Not our footage)
We edited these shots of Nona's family in to really show the impact of dangerous online chatting with a stranger you don't know, and to really humanise the event and show it can happen to anyone.
(Not our footage)
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