Angle: High angle to show that character being hung is powerless.

Shot: Mid shot to show victim and killer in moderate detail but not too much detail yet as this is the first shot.

Lighting: Eerie shadowy and creepy.

Angle: High angle to show that character being hung is powerless.

Shot: Close up to show victim in more detail.

Lighting: Eerie shadowy and creepy.

Angle: Straight on to show exactly whats happening.

Shot: Mid shot to get both the victim and killers shoes walking away, in moderate detail, in this shot.

Lighting: Eerie shadowy and creepy.

Angle: Straight on to show the paper accurately and in detail.

Shot: Close up so the viewer can clearly see the names ages and locates on the list and get the message that this is the killers 'kill list'.

Lighting: Eerie shadowy and creepy.

Angle: High angle to make the viewer feel as if they were in the position of the killer and washing the knives. 

Shot: Close up shot to show the knife cleaning in detail. 

Lighting: Eerie shadowy and creepy.

Angle: High angle to make the viewer feel as if they were in the position of the killer and washing the knives. 

Shot: Mid shot as it cuts form the close up to the mid shot and disorients the viewer. 

Lighting: Eerie shadowy and creepy.

(These two knife shots happen many times with different knives to give the viewer the understanding that, although the killer only used one knife to kill their victim they are obsessive and need to have their weapons clean and wash them repeatedly. The reason these shots are meant to feel disorienting is because the killer is in a heightened state of reality and is not thinking clearly and is disorientated.)

Angle: High angle to make the viewer feel as if they are seeing things from the killers perspective. 

Shot: Mid shot to show the knives in moderate detail.

uts form the close up to the mid shot and disorients the viewer. 

Lighting: Eerie, shadowy and creepy.

Angle: Straight on and slightly canted to show that the killer is insane, and to make it look as if the viewer was watching from a victims point of view from the floor. 

Midshot: To show this scene in moderate detail.

Lighting: Eerie, shadowy and creepy.

Angle: Straight on as if to make the audience view this from the killers perspective. 

Shot: Close up to make the audience feel like they are viewing this from the killers perspective. 

Lighting: Eerie, shadowy and creepy.

Angle: High angle to make it seem as if the viewer is looking at the car from the killers perspective.

Shot: Close up to make it seem as if the viewer is looking at the car from the killers perspective.

Lighting: Dark and creepy. 

Angle straight on to make it seem as if the viewer is looking at the car from the killers perspective.

Shot: Close up to make it seem as if the viewer is looking at the car from the killers perspective.

Lighting: Dark and creepy. 

Angle straight on to make it seem as if the viewer is looking at the car from the killers perspective.

Shot: Close up to make it seem as if the viewer is looking at the car from the killers perspective.

Lighting: Dark and creepy. 

Angle: Straight on to show the viewers the mirror clearly and accurately as this is the big reveal of the character.

Shot: Close up to show what the killer looks like in detail.

Lighting: Brighter to symbolise that light has been shed on this enigma of the killer.