Slight high angle to show that Adriana is in a vulnerable situation when show goes out in public due to the fact she finds it hard to deal with her fans
Long shot to establish the location of this shot
Lighting: bright daylight
Slight high angle to show that Adriana is in a vulnerable situation when show goes out in public due to the fact she finds it hard to deal with her fans
Lighting: bright daylight
Close up show Nicole's facial expression in detail as a means to tell a story
Lighting: bright daylight
Extreme close up to show what Adriana is seeing
Slight low angle to show that these people have more power in the scene
Slight high angle to show that Adriana is in a vulnerable situation when show goes out in public due to the fact she finds it hard to deal with her fans
Lighting: bright daylight
Close up on Adriana's face to show facial expression as a means of story telling
Lighting: bright daylight
Extreme close up to show what Adriana is seeing
Slight low angle to show that these people have more power in the scene
Slight high angle to show that Adriana is in a vulnerable situation when show goes out in public due to the fact she finds it hard to deal with her fans
Lighting: bright daylight
Close up on Adriana's face to show facial expression as a means of story telling it is also to show that Nicole is running out of space in the frame to express that she is being overwhelmed.
Lighting: bright daylight
Extreme close up to show what Adriana is seeing
Slight low angle to show that these people have more power in the scene
Slight high angle to show that Adriana is in a vulnerable situation when show goes out in public due to the fact she finds it hard to deal with her fans
Lighting: bright daylight
Long shot to show a bit of the location in this shot to establish the scene
slight high angle to show that Adriana is feeling weak
Lighting is dark with sharp shadows to show that something scary is going to happen in here, share shadows are also a Hitchcock technique
mid shot to show the door and corridor behind
lighting: creepy dark and shadowy
angle straight on
slight high angle to show that Adriana is feeling weak
Lighting is dark with sharp shadows to show that something scary is going to happen in here, share shadows are also a Hitchcock technique
Close up to show that Adriana is worried and to use her expression as a story telling device
slight high angle to show that Adriana is feeling weak as she is about to go out and face her fans who she struggles to deal with
Lighting is dark with sharp shadows to show that something scary is going to happen in here, share shadows are also a Hitchcock technique
Mid shot
Mid shot to show location and Adriana
slight high angle to show that Adriana is feeling weak as she is about to go out and face her fans who she struggles to deal with
Lighting is righter as none of Hitchcock's crimes happen in particularly creepy settings but there are still some sharp shadows to represent that something bad is going to happen
Close up to show fans excited faces
Lighting is righter as none of Hitchcock's crimes happen in particularly creepy settings but there are still some sharp shadows to represent that something bad is going to happen
Mid shot to show location and Adriana
slight high angle to show that Adriana is feeling weak as she is about to go out and face her fans who she struggles to deal with
Lighting is brighter as none of Hitchcock's crimes happen in particularly creepy settings but there are still some sharp shadows to represent that something bad is going to happen
Lighting is brighter as none of Hitchcock's crimes happen in particularly creepy settings but there are still some sharp shadows to represent that something bad is going to happen
Lighting is brighter as none of Hitchcock's crimes happen in particularly creepy settings but there are still some sharp shadows to represent that something bad is going to happen
Lighting is brighter as none of Hitchcock's crimes happen in particularly creepy settings but there are still some sharp shadows to represent that something bad is going to happen
Slight high angle cause the fan is vulnerable
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Mid shot to show location and character
Slight high angle cause the fan is vulnerable
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Mid shot to show location and character
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Mid shot to show location and where Eloise is heading as well as her body language
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Mid shot to show location and action as well as eloise
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
low angle
Fairly close angle to show what is happening on the phone
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Mid shot
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
mid shot to show action
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Close up to show in detail what is happening
Low angle to make Marina look powerful
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Close up to show Eloise's face in detail to convey her emotions. Hitchcock used facial expressions as a story telling device
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity
Low angle to make Marina look powerful
Close up to show what Marina is doing in detail
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Close up to show Eloise's face in detail to convey her emotions. Hitchcock used facial expressions as a story telling device
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity
Low angle to make Marina look powerful
Close up to show what Marina is doing in detail
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Close up to show Eloise's face in detail to convey her emotions. Hitchcock used facial expressions as a story telling device
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity
Low angle to make marina look powerful
Close up to show what Marina is doing in detail
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Close up to show Eloise's face in detail to convey her emotions. Hitchcock used facial expressions as a story telling device
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity
Low angle to make Marina look powerful
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity
Low angle to make Marina look powerful
Close up to show what Marina is doing in detail
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to make Eloise look weak
Close up to show Eloise's face in detail to convey her emotions. Hitchcock used facial expressions as a story telling device
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity
Low angle to make Marina look powerful
Close up to show what Marina is doing in detail
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Low angle to make Marina look powerful
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity
Low angle to make Marina look powerful
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Low angle to make Marina look powerful
Close up to show what Marina is doing in detail
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Mid shot to show action in the situation
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
straight on angle
Close up
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Straight on angle
mid shot
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Straight on angle as Eloise has the knife for a minute
Close up to show Elouise's facial expressions that are used to convey her inner most thoughts
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity
Low angle to make Marina look powerful
Close up to show what Marina is doing in detail
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
straight on angle to show Eloise's body convulsing as she is stabbed.
Close up to show Eloise's body reaction to being stabbed
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
straight on angle to show Eloise's body convulsing as she is stabbed.
Close up to show Eloise's body reaction to being stabbed
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Low angle to make Marina look powerful
Low angle to make Marina look more powerful
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Close up to show Elouise's facial expressions that are used to convey her inner most thoughts
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle
mid shot
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Low angle to make Marina look more powerful
mid shot to show action that is going on
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Mid shot to show action occurring in this situation
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity
low angle to make Libby look powerful
Mid shot to show action
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Close up to show Elouise's facial expressions that are used to convey her inner most thoughts
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Close up to show the extreme action of the hands struggling with the knife
high angle
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Close up to show Elouise's facial expressions that are used to convey her inner most thoughts
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Close up to show the extreme action of the hands struggling with the knife
high angle
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity
Low angle to make Libby look powerful
Close up to make Libby look terrifying
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Low angle to make Marina look powerful
Mid shot to show action
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Close up to show Elouise's facial expressions that are used to convey her inner most thoughts
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity
Loe angle to make Marina look powerful
Close up to make her seem more terrifying
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Close up to show Elouise's facial expressions that are used to convey her inner most thoughts
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Close up to show Elouise's facial expressions that are used to convey her inner most thoughts
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Close up to show Elouise's facial expressions that are used to convey her inner most thoughts
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Mid shot to show action
Low angle to make Marina look more terrifying
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity
Low angle to make Marina seem more powerful
Close up to make Marina seem more terrifying
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Close up to make the knife stabbing look more terrifying
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity
Low angle to make Marina look more powerful;
Close up to make Marina look more terrifying
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Close up to show Elouise's facial expressions that are used to convey her inner most thoughts
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Mid shot to show action
low angle to make Marina look more powerful
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Close up to show Elouise's facial expressions that are used to convey her inner most thoughts
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Low angle to make Marina look powerful
Mid shot to show action
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Low angle to make Marina look powerful as she stabs the knife
Close up to make Marina seem more terrifying
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Low angle to make Marina look powerful
Mid shot to show action
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Close up to show Elouise's facial expressions that are used to convey her inner most thoughts
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Low angle to make Marina look powerful
Close up to make Marina seem more terrifying
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Low angle to make Marina look powerful
Mid shot to show action
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Close up to show Elouise's facial expressions that are used to convey her inner most thoughts
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Low angle to make Marina look powerful
Close up to make Marina seem more terrifying
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Close up to show Elouise's facial expressions that are used to convey her inner most thoughts
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity
Low angle to make Marina look more powerful
Close up to make Marina seem more terrifying
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Low angle to make Marina look powerful
Mid shot to show action
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Low angle to make Marina look powerful
Close up
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show the fans leg flinching as she is stabbed
mid shot to show action
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Close up to show Elouise's facial expressions that are used to convey her inner most thoughts
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Low angle to make Marina look powerful
Close up to make Marina look more terrifying
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to show that the fan is in a vulnerable situation
Close up to show Elouise's facial expressions that are used to convey her inner most thoughts
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Low angle to make Marina look powerful
Mid shot to show action
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
Low angle to show the knife looking terrifying
Close up to make the knife look more terrifying
Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique
High angle to make Eloise look vulnerable as she is dying
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