Tuesday, 16 August 2016

shots and why


Slight high angle to show that Adriana is in a vulnerable situation when show goes out in public due to the fact she finds it hard to deal with her fans 

Long shot to establish the location of this shot

Lighting: bright daylight


Slight high angle to show that Adriana is in a vulnerable situation when show goes out in public due to the fact she finds it hard to deal with her fans 

Lighting: bright daylight

Close up show Nicole's facial expression in detail as a means to tell a story 


Lighting: bright daylight

Extreme close up to show what Adriana is seeing

Slight low angle to show that these people have more power in the scene 


Slight high angle to show that Adriana is in a vulnerable situation when show goes out in public due to the fact she finds it hard to deal with her fans 

Lighting: bright daylight

Close up on Adriana's face to show facial expression as a means of story telling


Lighting: bright daylight

Extreme close up to show what Adriana is seeing

Slight low angle to show that these people have more power in the scene 



Slight high angle to show that Adriana is in a vulnerable situation when show goes out in public due to the fact she finds it hard to deal with her fans 

Lighting: bright daylight

Close up on Adriana's face to show facial expression as a means of story telling it is also to show that Nicole is running out of space in the frame to express that she is being overwhelmed. 



Lighting: bright daylight

Extreme close up to show what Adriana is seeing

Slight low angle to show that these people have more power in the scene 



Slight high angle to show that Adriana is in a vulnerable situation when show goes out in public due to the fact she finds it hard to deal with her fans 

Lighting: bright daylight


Long shot to show a bit of the location in this shot to establish the scene

slight high angle to show that Adriana is feeling weak

Lighting is dark with sharp shadows to show that something scary is going to happen in here, share shadows are also a Hitchcock technique


mid shot to show the door and corridor behind

lighting: creepy dark and shadowy

angle straight on


slight high angle to show that Adriana is feeling weak

Lighting is dark with sharp shadows to show that something scary is going to happen in here, share shadows are also a Hitchcock technique

Close up to show that Adriana is worried and to use her expression as a story telling device 


slight high angle to show that Adriana is feeling weak as she is about to go out and face her fans who she struggles to deal with

Lighting is dark with sharp shadows to show that something scary is going to happen in here, share shadows are also a Hitchcock technique

Mid shot 



Mid shot to show location and Adriana

slight high angle to show that Adriana is feeling weak as she is about to go out and face her fans who she struggles to deal with

Lighting is righter as none of Hitchcock's crimes happen in particularly creepy settings but there are still some sharp shadows to represent that something bad is going to happen

Close up to show fans excited faces

Lighting is righter as none of Hitchcock's crimes happen in particularly creepy settings but there are still some sharp shadows to represent that something bad is going to happen

Slight low angle as they intimidate Adriana


Mid shot to show location and Adriana

slight high angle to show that Adriana is feeling weak as she is about to go out and face her fans who she struggles to deal with

Lighting is brighter as none of Hitchcock's crimes happen in particularly creepy settings but there are still some sharp shadows to represent that something bad is going to happen

Lighting is brighter as none of Hitchcock's crimes happen in particularly creepy settings but there are still some sharp shadows to represent that something bad is going to happen

Slight low angle as they intimidate Adriana

Close up



Lighting is brighter as none of Hitchcock's crimes happen in particularly creepy settings but there are still some sharp shadows to represent that something bad is going to happen

Slight high angle to show that Adriana is feeling slightly vulnerable dealing with her fans

Close up to show Adriana's facial expression in detail as facial expressions are an essential story telling device



Lighting is brighter as none of Hitchcock's crimes happen in particularly creepy settings but there are still some sharp shadows to represent that something bad is going to happen

Slight high angle as the fan has just left and is walking into a vulnerable situation

mid shot



Slight high angle cause the fan is vulnerable 

Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Mid shot to show location and character

Slight high angle cause the fan is vulnerable 

Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Mid shot to show location and character


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation

Mid shot to show location and where Eloise is heading as well as her body language


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation

Mid shot to show location and action as well as eloise



Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

low angle

Fairly close angle to show what is happening on the phone


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation

Mid shot 



Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation

mid shot to show action



Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Close up to show in detail what is happening

Low angle to make Marina look powerful


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation


Close up to show Eloise's face in detail to  convey her emotions. Hitchcock used facial expressions as a story telling device



Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity

Low angle to make Marina look powerful

Close up to show what Marina is doing in detail 


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation

Close up to show Eloise's face in detail to  convey her emotions. Hitchcock used facial expressions as a story telling device



Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity

Low angle to make Marina look powerful

Close up to show what Marina is doing in detail



Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation


Close up to show Eloise's face in detail to  convey her emotions. Hitchcock used facial expressions as a story telling device



Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity

Low angle to make marina look powerful

Close up to show what Marina is doing in detail



Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation


Close up to show Eloise's face in detail to  convey her emotions. Hitchcock used facial expressions as a story telling device



Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity

Low angle to make Marina look powerful 


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity

Low angle to make Marina look powerful 

Close up to show what Marina is doing in detail



Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to make Eloise look weak


Close up to show Eloise's face in detail to  convey her emotions. Hitchcock used facial expressions as a story telling device


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity

Low angle to make Marina look powerful 

Close up to show what Marina is doing in detail


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Low angle to make Marina look powerful 

Close up to add to montage effect


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity

Low angle to make Marina look powerful 


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Low angle to make Marina look powerful

Close up to show what Marina is doing in detail


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation

Mid shot to show action in the situation



Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

straight on angle

Close up 


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Straight on angle

mid shot



Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Straight on angle as Eloise has the knife for a minute

Close up to show Elouise's facial expressions that are used to convey her inner most thoughts 



Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity

Low angle to make Marina look powerful 

Close up to show what Marina is doing in detail


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

straight on angle to show Eloise's body convulsing as she is stabbed.

Close up to show Eloise's body reaction to being stabbed



Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

straight on angle to show Eloise's body convulsing as she is stabbed. 


Close up to show Eloise's body reaction to being stabbed


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Low angle to make Marina look powerful 

Low angle to make Marina look more powerful


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation

Close up to show Elouise's facial expressions that are used to convey her inner most thoughts 




Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle

mid shot


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Low angle to make Marina look more powerful

mid shot to show action that is going on


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation

Mid shot to show action occurring in this situation



Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity

low angle to make Libby look powerful

Mid shot to show action


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation

Close up to show Elouise's facial expressions that are used to convey her inner most thoughts 




Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Close up to show the extreme action of the hands struggling with the knife

high angle


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation

Close up to show Elouise's facial expressions that are used to convey her inner most thoughts 




Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Close up to show the extreme action of the hands struggling with the knife

high angle



Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity

Low angle to make Libby look powerful

Close up to make Libby look terrifying


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Low angle to make Marina look powerful

Mid shot to show action


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation

Close up to show Elouise's facial expressions that are used to convey her inner most thoughts 




Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity

Loe angle to make Marina look powerful

Close up to make her seem more terrifying


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation

Close up to show Elouise's facial expressions that are used to convey her inner most thoughts 




Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation

Close up to show Elouise's facial expressions that are used to convey her inner most thoughts 



Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Low angle to make Marina look powerful 

Close up to add to the montage as a montage usually consists of many montage shots strung together


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation

Close up to show Elouise's facial expressions that are used to convey her inner most thoughts 




Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Mid shot to show action

Low angle to make Marina look more terrifying


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity

Low angle to make Marina seem more powerful

Close up to make Marina seem more terrifying


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Close up to make the knife stabbing look more terrifying

high angle


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity

Low angle to make Marina look more powerful;

Close up to make Marina look more terrifying 


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation

Close up to show Elouise's facial expressions that are used to convey her inner most thoughts 




Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Mid shot to show action

low angle to make Marina look more powerful 


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation

Close up to show Elouise's facial expressions that are used to convey her inner most thoughts 




Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Low angle to make Marina look powerful

Mid shot to show action


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Low angle to make Marina look powerful as she stabs the knife

Close up to make Marina seem more terrifying



Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Low angle to make Marina look powerful

Mid shot to show action


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation

Close up to show Elouise's facial expressions that are used to convey her inner most thoughts 




Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Low angle to make Marina look powerful

Close up to make Marina seem more terrifying



Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Low angle to make Marina look powerful

Mid shot to show action


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation

Close up to show Elouise's facial expressions that are used to convey her inner most thoughts 




Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Low angle to make Marina look powerful

Close up to make Marina seem more terrifying



Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation

Close up to show Elouise's facial expressions that are used to convey her inner most thoughts 




Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique and to conceal Marinas identity

Low angle to make Marina look more powerful 

Close up to make Marina seem more terrifying


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Low angle to make Marina look powerful 

Mid shot to show action


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Low angle to make Marina look powerful

Close up


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show the fans leg flinching as she is stabbed

mid shot to show action


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation

Close up to show Elouise's facial expressions that are used to convey her inner most thoughts 




Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Low angle to make Marina look powerful

Close up to make Marina look more terrifying


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to show that the fan is in a vulnerable situation

Close up to show Elouise's facial expressions that are used to convey her inner most thoughts 




Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Low angle to make Marina look powerful

Mid shot to show action


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

Low angle to show the knife looking terrifying 

Close up to make the knife look more terrifying


Dark shadowy lighting with sharp shadows to infer a terrible thing is going to happen and to use a Hitchcock technique

High angle to make Eloise look vulnerable as she is dying

Mid shot to show both the shadow and the fan


Brighter lighting with sharp shadows to represent that this isn really a creepy location but the shadows  infer that something bad is going to happen and this police woman isn't going to do the right thing

Low angle to make her look powerful as she has control over this situation

mid shot to show both her and location


Brighter lighting with sharp shadows to represent that this isn really a creepy location but the shadows  infer that something bad is going to happen 

High angle looking down on Adriana as this scene occurs shortly before she is arrested

Close up POV shot to show police man looking at Adriana

Brighter lighting with sharp shadows to represent that this isn really a creepy location but the shadows  infer that something bad is going to happen 

Low angle to make Steph look powerful

Close up to show how she is feeling, facial expressions are an essential part of Hitchcock story telling

Brighter lighting with sharp shadows to represent that this isn really a creepy location but the shadows  infer that something bad is going to happen 

High angle to make Adriana look weaker as she will be arrested soon

Close up to show how Arianna is feeling  facial expressions are an essential part of Hitchcock story telling

Brighter lighting with sharp shadows to represent that this isn really a creepy location but the shadows  infer that something bad is going to happen 

Low angle to make Steph look powerful

Close up to show how she is feeling, facial expressions are an essential part of Hitchcock story telling

Brighter lighting with sharp shadows to represent that this isn really a creepy location but the shadows  infer that something bad is going to happen 

High angle to make Adriana look weaker as she will be arrested soon

Close up to show how Arianna is feeling  facial expressions are an essential part of Hitchcock story telling

Brighter lighting with sharp shadows to represent that this isn really a creepy location but the shadows  infer that something bad is going to happen 

Low angle to make Steph look powerful

Close up to show how she is feeling, facial expressions are an essential part of Hitchcock story telling

Brighter lighting with sharp shadows to represent that this isn really a creepy location but the shadows  infer that something bad is going to happen 

Low angle as Marina has done this she has the power in the situation high angle of fan in the background as she is feeling terrified of the situation. 

Close up to show Marina's facial expression, she is being manipulative by acting over the top at the news of the murder


Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

Straight on angle, the characters are in equal power in the start of this scene

Mid shot to establish characters and location 


High angle to show that Adriana is losing the power in this scene

Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

Mid shot as Adriana isn't feeling too trapped yet


Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

Low angle as the police woman has the power in the situation

Mid shot as the police woman isn't in too much power yet


High angle to show that Adriana is losing the power in this scene

Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

Closer up to show that Adriana is starting to feel more trapped



Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

Low angle as the police woman has the power in the situation

Mid shot to show what Adriana is seeing



High angle to show that Adriana is losing the power in this scene

Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

Closer up to show that Adriana is starting to feel more trapped




Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

Low angle as the police woman has the power in the situation

Mid shot to show what Adriana is seeing




High angle to show that Adriana is losing the power in this scene

Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

Closer up to show that Adriana is feeling more trapped


Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

Low angle as the police woman has the power in the situation

Mid shot to show what Adriana is seeing




High angle to show that Adriana is losing the power in this scene

Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

Mid shot of Adriana it make her look small in comparison to the police woman



Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

Low angle as the police woman has the power in the situation

Close up 



High angle to show that Adriana is losing the power in this scene

Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

Even closer than last shot of Adriana to show she is getting stressed by the way she is running out of room in the shot



Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

Low angle as the police woman has the power in the situation

close up



High angle to show that Adriana is losing the power in this scene

Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

Even closer to show that she is getting stressed by the way she is running out of room in the shot



Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

Low angle as the police woman has the power in the situation

Close up



High angle to show that Adriana is losing the power in this scene

Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

Less close as Adriana tries to regain power by standing up in the shot



Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

Low angle as the police woman has the power in the situation

Mid shot to show what Adriana is seeing



High angle to show that Adriana is losing the power in this scene

Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

Closer up to represent that Adriana s feeling trapped as she is running out of room in the shot



Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

Low angle as the police woman has the power in the situation

Closer up to represent that Adriana s feeling trapped as she is running out of room in the shot




Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

High angle

Close up to show action in detail


Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

Close up on Adriana to infer that she is running out of room in the shot and is feeling extremely worried

slight high angle to represent that she is vulnerable


Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

mid shot

Close up to show Marinas facial expression



Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

Low angle as the police woman has the power in the situation

Close up



Dark shadowy lighting with sharp shadows to represent that there will be no good outcome to this situation

mid shot

slight high angle

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