Shots and why

Close up shot to make Adriana look overwhelmed, she is running out of space in the shot

Slight high angle to show she feels vulnerable because of her fans

Daylight

Close up shot to make Adriana look overwhelmed, she is running out of space in the shot

Slight high angle to show she feels vulnerable because of her fans

Daylight

Close up shot to make Adriana look overwhelmed, she is running out of space in the shot

Slight high angle to show she feels vulnerable because of her fans

Daylight

Close up, as this is a part of a montage of short shots that describe Nicole quickly changing her outfit in order to not be recognised. (Montage is a Hitchcock technique)

High angle

Daylight

Close up as part of the getting changed montage

Slight high angle to show that Adriana is in a vulnerable position

Daylight

Close up as part of the montage

Straight on angle

Daylight

Close up as part of the montage

High angle

Daylight

Close up as part of the montage

high angle

Daylight

Close up shot to make Adriana look overwhelmed, she is running out of space in the shot

Slight high angle to show she feels vulnerable because of her fans

Daylight

High angle

Close up

Daylight

Close up shot to make Adriana look overwhelmed, she is running out of space in the shot

Slight high angle to show she feels vulnerable because of her fans

Daylight

Close up

high angle

Daylight

Close up shot to make Adriana look overwhelmed, she is running out of space in the shot

Slight high angle to show she feels vulnerable because of her fans

Daylight

Slight low angle to show that the fan is the one who intimidates Adriana

Close up to show fans facial expression in detail

Daylight

Close up shot to show from the fans perspective

Slight high angle to show she feels vulnerable because of her fans

Daylight

Close up to show Eloise's facial expression in detail to show her reaction

Slight low angle as she is the one in the power in this scene

Daylight

Slight high angle on Adriana

mid shot to show both Adriana and Eloise's reactions

Daylight

Close up to show Eloise's reaction

Slight low angle as she is the one with more power in this scene

Daylight

Close up shot to make Adriana look overwhelmed, she is running out of space in the shot

Slight high angle to show she feels vulnerable because of her fans

Daylight

Close up shot to make Adriana look overwhelmed, she is running out of space in the shot

Slight high angle to show she feels vulnerable because of her fans

Daylight

Slight high angle to show Adriana is feeling vulnerable

mid shot to show more of the action

Daylight

Slight high angle to show Adriana is feeling vulnerable

mid shot to show more of the action

Daylight

Close up to show eloise facial expression in detail as she reacts to what is happening

Slight low angle as she is the one with the power in the scene

Daylight

Mid shot to show action in this shot

slight high angle to show that Adriana is vulnerable in this scene

Daylight

Close up to show eloise facial expression in detail as she reacts to what is happening

Slight low angle as she is the one with the power in the scene

Daylight

Daylight

Slight low angle to show that the fan has the power

Mid shot to show the action that is happening

Mid shot to establish the scene

Straight on angle

Sharp shadowy lighting to reflect Hitchcock's style and represent that the situation is driven by an evil situation and will not be resolved

Sharp shadowy lighting to reflect Hitchcock's style and represent that the situation is driven by an evil situation and will not be resolved

Low angle as she is the position of power in this scene

Close up to show her facial expression and her reaction to what is occurring and what she is seeing

Sharp shadowy lighting to reflect Hitchcock's style and represent that the situation is driven by an evil situation and will not be resolved

High angle to show that Adriana is in a vulnerable situation

Close up to show her facial expression and reaction to what is happening, as well as to show that she is running out of room in the shot and getting overwhelmed.

Sharp shadowy lighting to reflect Hitchcock's style and represent that the situation is driven by an evil situation and will not be resolved

Low angle as she is the position of power in this scene

Close up to show her facial expression and her reaction to what is occurring and what she is seeing

Sharp shadowy lighting to reflect Hitchcock's style and represent that the situation is driven by an evil situation and will not be resolved

High angle to show that Adriana is in a vulnerable situation

Close up to show her facial expression and reaction to what is happening, as well as to show that she is running out of room in the shot and getting overwhelmed.

Sharp shadowy lighting to reflect Hitchcock's style and represent that the situation is driven by an evil situation and will not be resolved

Low angle as Marina is in power

Close up to show her reactions to everything that is happening in the scene

Sharp shadowy lighting to reflect Hitchcock's style and represent that the situation is driven by an evil situation and will not be resolved

Mid shot to establish the scene

Straight on angle

Sharp shadowy lighting to reflect Hitchcock's style and represent that the situation is driven by an evil situation and will not be resolved

Low angle as she is the position of power in this scene

Close up to show her facial expression and her reaction to what is occurring and what she is seeing

Sharp shadowy lighting to reflect Hitchcock's style and represent that the situation is driven by an evil situation and will not be resolved

High angle to show that Adriana is in a vulnerable situation

Close up to show her facial expression and reaction to what is happening, as well as to show that she is running out of room in the shot and getting overwhelmed.

Sharp shadowy lighting to reflect Hitchcock's style and represent that the situation is driven by an evil situation and will not be resolved

Low angle as Marina is in power

Close up to show her reactions to everything that is happening in the scene

Sharp shadowy lighting to reflect Hitchcock's style and represent that the situation is driven by an evil situation and will not be resolved

Low angle as she is the position of power in this scene

Close up to show her facial expression and her reaction to what is occurring and what she is seeing

Sharp shadowy lighting to reflect Hitchcock's style and represent that the situation is driven by an evil situation and will not be resolved

Sharp shadowy lighting to reflect Hitchcock's style and represent that the situation is driven by an evil situation and will not be resolved

Low angle as Marina is in power

Close up to show her reactions to everything that is happening in the scene

Sharp shadowy lighting to reflect Hitchcock's style and represent that the situation is driven by an evil situation and will not be resolved

Low angle as she is the position of power in this scene

Close up to show her facial expression and her reaction to what is occurring and what she is seeing

Sharp shadowy lighting to reflect Hitchcock's style and represent that the situation is driven by an evil situation and will not be resolved

High angle to show that Adriana is in a vulnerable situation

Close up to show her facial expression and reaction to what is happening, as well as to show that she is running out of room in the shot and getting overwhelmed.

Sharp shadowy lighting to reflect Hitchcock's style and represent that the situation is driven by an evil situation and will not be resolved

Low angle as Marina is in power

Close up to show her reactions to everything that is happening in the scene

Sharp shadowy lighting to reflect Hitchcock's style and represent that the situation is driven by an evil situation and will not be resolved

Low angle as she is the position of power in this scene

Close up to show her facial expression and her reaction to what is occurring and what she is seeing

Sharp shadowy lighting to reflect Hitchcock's style and represent that the situation is driven by an evil situation and will not be resolved

High angle to show that Adriana is in a vulnerable situation

Close up to show her facial expression and reaction to what is happening, as well as to show that she is running out of room in the shot and getting overwhelmed.

Sharp shadowy lighting to reflect Hitchcock's style and represent that the situation is driven by an evil situation and will not be resolved

Mid shot to establish the scene

Straight on angle

Sharp shadowy lighting to reflect Hitchcock's style and represent that the situation is driven by an evil situation and will not be resolved

Low angle as Marina is in power

Close up to show her reactions to everything that is happening in the scene

Shots I want to re do

This must include all shots in the production. Shots must be listed in the order they will be shot (not the order they will appear in the film).
Length of Shot: Duration	Shot Description and Visual information: Shot type, camera movement, position, angle.  Location	Additional Shot Notes:  lighting notes, action etc. Voice-Over, Dialogue, Sound FX etc. Additional notes as shots are gathered.
6 seconds	Close up shot panning and tilting movement moving angle with the moving camera Adriana’s apartment	Shadowy lighting  The camera pans from the posters of Adriana on the wall, it tilts down to Marina writing in her notepad and proceeds to tilt up to her face to gather her reaction. Adriana: “Sometimes I just can’t deal with my fans obsessive nature, they wont leave me alone and they forget Im a real person.”
2 seconds	Close up shot Slight high angle Camera angled so that Marina looks like she is sitting facing Adriana Angled on the rule of thirds no movement Adriana’s apartment	Shadowy lighting Marina stares annoyed at Adriana
4 seconds	Close up shot (Closer than last two shots) Slight high angle Adriana sitting so she looks as if she is sitting and facing Marina Angled on the rule of thirds no movement Adriana’s apartment	Shadowy lighting Adriana speaks to Marina
4 seconds	Close up shot Slight high angle Marina sitting so she looks as if she is facing Marina Angled on the rule of thirds No movement Adriana’s apartment	Shadowy lighting Adriana walks past Marina who watches her walk out the door
4 seconds	Close up shot Slight high angle Angled on the rule of thirds no movement backstage at Adriana’s signing	Shadowy dark lighting with harsh shadows Adriana looks suspicious but then heres a PA call for her and relaxes. She then realises she is late and gets up to leave
4 seconds	Mid shot Slight high angle Angled on the rule of thirds no movement Adriana’s signing	Soft shadowy lighting with sharp silhouettes of venetian blinds to look like a jail cell over Nicole Adriana walks out onstage Adriana: “hey guys!”
4 seconds	Mid shot Slight low angle angled to the rule of thirds no movement Adriana’s signing	Soft shadowy lighting A group of fans greet Adriana as they walk onstage Fans: “Oh my god! Hey Adriana!”
4 seconds	Closer mid shot Slight high angle Angled to the rule of thirds no movement Adriana’s signing	Soft shadowy lighting with sharp silhouettes of venetian blinds to look like a jail cell over Nicole Adriana is onstage talking to her fans Adriana: “Okay guys so just jump into a line”
4 seconds	Mid shot Slight low angle Angled to the rule of thirds no movement  Adriana’s signing	Soft shadowy lighting The fans all start getting into a line the main fan starts looking at her phone and walking way from the line Adriana: “And I’ll take a bunch of selfies with you”
4 seconds	Close up slight high angle  Angled to to the rule of thirds no movement Adriana’s signing	Soft shadowy lighting with sharp silhouettes of venetian blinds to look like a jail cell over Nicole Adriana looks at the direction where the fan is leaving looking annoyed Adriana: “So lets get started with the fun!”
4 seconds	Mid shot Slight low angle Angled to the rule of thirds no movement  Adriana’s signing	Soft shadowy lighting All the fans look excited as they push and try to get to the front of the line. The main fan is no longer there.  Fans: all chat and talk about how excited they are
5 seconds	Mid shot Slight high angle Angled to the rule of thirds Adriana’s signing	Soft shadowy lighting with sharp silhouettes of venetian blinds to look like a jail cell over Nicole Adriana is horrified about the murder that has just happened Adriana: “Its so awful I don't know what happened… I just cant believe this”
5 seconds	Mid shot slight low angle Angled to the rule of thirds Adriana’s signing	Soft shadowy lighting The police officer talks to Adriana Police officer: “Yeah its such a waste of a young life”
5 seconds	Close up slight high angle angled to the rule of thirds Adriana's signing	Soft shadowy lighting with sharp silhouettes of venetian blinds to look like a jail cell over Nicole Adriana is horrified as she questions the police officer Adriana: “So are you here to investigate?”
5 seconds	Mid shot slight low angle Angled to the rule of thirds Adriana’s signing	Soft shadowy lighting Police officer speaks seriously to Adriana Police officer: “yes… I need to ask you a few questions…”
5 seconds	Close up (closer than last time) slight high angle angled to the rule of thirds Adriana's signing	Soft shadowy lighting with sharp silhouettes of venetian blinds to look like a jail cell over Nicole Adriana speaks to police officer Adriana: “Okay But I want to get out of here. Lets do it at mine.”
	Re do the interview scene