Shot: Cose up to give a sense of mystery to this shot, you don't know who this is or what is happening , it will be revealed as the trailer goes on.
Angle: Slightly high to show that this character is vulnerable but trying to fight back.
Lighting: Eerie and shadowy.
Shot: Close up to not reveal too much about what is happening yet but to give the general idea that this is a victim being strangled by a mysterious character, that we do not know too much about yet.
Angle: Slightly high to show that this character is vulnerable but fighting back.
Lighting: Eerie and shadowy
Shot: Close up to give a sense of mystery to this victim, we know a little more about her yet but she is still mysterious.
Angle: Slightly high to show that this character is vulnerable but trying to fight back.
Lighting: Eerie and shadowy.
Shot: Close up to not reveal too much about what is happening yet but to give the general idea that this is a victim being strangled by a mysterious character, that we do not know too much about yet.
Angle: Slightly high to show that this character is vulnerable but fighting back.
Lighting: Eerie and shadowy
Shot: Close up of just one hand to create drama, a few moments ago we saw this hand struggling but now it lies still representing that the character is dead.
Angle: Straight on to create the dramatic impact of the hand thumping lifelessly onto the floor.
Shot: Close up to not reveal too much about what is happening yet but to give the general idea that this is a victim being strangled by a mysterious character, that we do not know too much about yet.
Angle: Slightly high to show that this character is vulnerable but fighting back.
Lighting: Eerie and shadowy.
Angle: Straight on to show the paper accurately and in detail.
Shot: Close up so the viewer can clearly see the names ages and locates on the list and get the message that this is the killers 'kill list'.
Lighting: Eerie shadowy and creepy.
Shot: Mid shot, to show all three knives in detail.
Angle: High to represent that this shot is from the killers perspective.
Lighting: Eerie and shadowy.
Shot: Mid shot to show the victim's whole body and reveal her character, she is dead, no longer a mystery and the audience is slowly learning more about the killer as she neatens her legs.
Angle: High angle to show that the victim is weak and powerless.
Lighting: Eerie and shadowy.
Shot: Close up, to represent that this is from the killers perspective, allowing the audience to sort of, get inside her head and see what she is doing, neatening the body up before she leaves. This represents to the audience that she is a psychopath.
Angle: High angle to represent that this is the killers perspective.
Lighting: Eerie and shadowy.
Shot: Close up, another shot from the killers perspective.
Angle: High to represent the victims venerability and and represent that this is from the killers perspective.
Lighting: Eerie and shadowy.
Shot: Mid shot to get just the killers shoes in, as she is a mysterious character who is not yet revealed, and the victims whole body sitting neatly against the wall, to show that the killer has neatened up the way she was sitting. This reinforces that the killer is psycho.
Angle: Straight on to achieve this shot and not give too much away about the killer, but keep the victim very much in the shot.
Lighting: Eerie and shadowy.
Shot: Close up to not break the enigma of the killers character.
Angle: Low angle to represent that the killer is powerful.
Lighting: Eerie and shadowy.
Shot: Close up To show in detail the mysterious package the killer is holding which we later find out is full of knives.
Angle: High to show this shot from the killers perspective.
Lighting: Eerie and shadowy.
Shot: Mid shot, to show more of the killers body, revealing a bit more about her character.
Angle: Low angle to represent that she is powerful.
Lighting: Eerie and shadowy.
Shot: Close up, to show the washing up of the knife in detail.
Angle: High angle to represent that this shot is taken from the killers perspective.
Lighting: Eerie and shadowy.
Shot: Close up, to show the washing up of the knife in detail.
Angle: High angle to represent that this shot is taken from the killers perspective.
Lighting: Eerie and shadowy.
Shot: Close up.
Angle: High angle to represent that this shot is taken from the killers perspective.
Lighting: Eerie and shadowy.
Shot: Extreme close up to get mostly the knives in the shot as they are the most important part.
Angle: Low angle to get mostly the knives in the shot.
Lighting: Eerie and shadowy.
Shot: Close up to show the man like shoes and make the viewers think that this is a man, to add to the surprise of the gender swap at the end.
Angle: Low angle to represent that the killer is powerful.
Lighting: Eerie and shadowy.
Angle: Straight on and slightly canted to show that the killer is insane, and to make it look as if the viewer was watching from a victims point of view from the floor.
Midshot: To show this scene in moderate detail.
Lighting: Eerie, shadowy and creepy.
Angle: Straight on as if to make the audience view this from the killers perspective.
Shot: Close up to make the audience feel like they are viewing this from the killers perspective.
Lighting: Eerie, shadowy and creepy.
Shot: Long shot to show both the car and killer.
Angle: Low angle to represent that the killer is powerful.
Lighting: Lighting is even and soft to represent the killers pleasant mood that they have successfully completed a murder. This allows the audience to see the world from the killers point of view and be apart of her mood.
Shot: Close up of the killer opening the car door, to show this shot from her perspective.
Angle: Straight on to represent that this is from her perspective.
Lighting: Lighting is even and soft to represent the killers pleasant mood that they have successfully completed a murder. This allows the audience to see the world from the killers point of view and be apart of her mood.
Shot: Mid shot to show the inside of the car in fairly good detail.
Angle: Low angle to show that she is powerful.
Lighting: Lighting is even and soft to represent the killers pleasant mood that they have successfully completed a murder. This allows the audience to see the world from the killers point of view and be apart of her mood.
Shot: Close up, from the killers perspective as they are having a quick read through their achievements before she leaves the house as she is feeling proud of herself for her successful murder and wants to reminisce on other previous murders. This also allows the audience to see that she likes to risk it a bit and live life on the edge as she doesn't leave the crime scene straight away.
Angle: High, from the killers perspective.
Lighting: Lighting is even and soft to represent the killers pleasant mood that they have successfully completed a murder. This allows the audience to see the world from the killers point of view and be apart of her mood.
Shot: Close up, to show the newspaper articles in detail.
Angle: High, from the killers perspective.
Lighting: Lighting is even and soft to represent the killers pleasant mood that they have successfully completed a murder. This allows the audience to see the world from the killers point of view and be apart of her mood.
Shot: Close up, to show the newspaper articles in detail.
Angle: High, from the killers perspective.
Lighting: Lighting is even and soft to represent the killers pleasant mood that they have successfully completed a murder. This allows the audience to see the world from the killers point of view and be apart of her mood.
Shot: Close up to show this event from the killers perspective.
Angle: High, from the killers perspective.
Lighting: Lighting is even and soft to represent the killers pleasant mood that they have successfully completed a murder. This allows the audience to see the world from the killers point of view and be apart of her mood.
Angle: Straight on to show the viewers the mirror clearly and accurately as this is the big reveal of the character.
Shot: Close up to show what the killer looks like in detail.
Lighting: Lighting is even and soft to represent the killers pleasant mood that they have successfully completed a murder. This allows the audience to see the world from the killers point of view and be apart of her mood.
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