Shots we still need to complete

Shot duration:	Shot Description: i.e. Shot type, angle, camera movement, Scene #	Notes: Include any relevant notes i.e. lighting, description of action. Additional notes should be added as each shot is gathered.
2 seconds	Straight on angle Still camera Long shot scene 1 Ally way near Tedder Avenue	Lighting Shadowy lighting Action Charlie’s Old sprite pulls up in a dark and dingy street.  Additional  Voice over of Charlie: “0240 hours. Wednesday morning…”
2 seconds	High angle  Still camera  Extreme close up Scene 1 Ally way near Tedder Avenue	Lighting Shadowy lighting  Action Charlie is writing on notepad  Additional Voice over: “July 16th, 1958.”
5 seconds	High angle  Still camera  Mid shot Scene 1 Ally way near Tedder Avenue	Lighting Shadowy lighting  Action Charlie puts notepad in her briefcase and gets out of the car.  Additional Voice over: “Potential criminal suspect has made their way to Grim Lane.”
5 seconds	Straight on angle  Mid shot  Panning camera  Scene 1 Ally way near Tedder Avenue	Lighting Dark lighting  Action Charlie is against a wall listening to a conversation the camera pans away from Charlie around a corner to where two men are having a conversation.
2 seconds	Straight on angle  Mid shot  Still camera  Scene 1 Ally way near Tedder Avenue	Lighting Dark lighting  Action Two men are having a conversation. It is a worker at an illegal money making factory and a hit man. The worker goes by the name of Carl.
6 seconds	Straight on angle  Close up  Still camera Scene 1 Ally way near Tedder Avenue	Lighting Dark lighting Action Carl talks closely to the other. Carl: “Max Patterson. 30 years old. Some say that he almost found our spot,”
3 seconds	Long shot  Straight on angle  Still camera Scene 1 Ally way near Tedder Avenue	Lighting Dark lighting.  Action Carl: “So we’re suspicious. Just kill him.” Carl walks down an alley way, the other walks away.
2 seconds	Close up  Straight on  Still camera Scene 1 Ally way near Tedder Avenue	Lighting Dark lighting.  Action Charlie watches Carl go and follows him.
2 seconds	Extreme close up  Straight on  Still camera Scene 2 The boarders area	Lighting Dark shadowy lighting  Additional Low exposure  Action A door knob turns and Carl enters into a room. Charlie holds the door after him and walks in.

2 seconds	Long shot  High angle  Still camera Scene 2 The boarders area	Lighting Dark shadowy lighting  Additional  Low exposure.  Action  Charlie follows Carl up the stairs
2 seconds	Long shot  Straight on  Still camera Scene 2 The boarders area	Lighting Dark shadowy lighting  Additional  Low exposure.  Action  Charlie follows Carl up a final set of stairs.
3 seconds	Long shot  Straight on  Still camera Scene 2 The top room in the borders area	Lighting Bright shadowy lighting  Additional  Low exposure  Action  A printing company comes into view. You see the Carl walk in followed by Charlie. Carl takes his seat.

1 second	Close up Straight on Still camera Scene 2 The top room in the borders area	Action  Anna turns towards Charlie noticing she is not doing anything and slams her hand down on her desk.   Lighting Bright shadowy lighting  Additional  Low exposure
2 seconds	Close up Still camera  Low angle Scene 2 The top room in the borders area	Action  Anna smiles down at Charlie, then looks stern. Anna says: “Get back to work”  Lighting Bright shadowy lighting  Additional  Low exposure

2 seconds	Straight on Mid shot Still camera. Scene 3 Libby’s house	Lighting Bright Shadowy lighting Action Anna, In Charlie’s house watches her get home through her window. She closes the blinds
4 seconds	Straight on Mid shot Still camera. Scene 3 Libby’s house	Lighting Shadowy lighting  Action  The door is half open and Charlie goes to open the door slowly
1 second	Straight on Ext close up No movement. Scene 3 Libby’s house	Lighting Shadowy lighting  Action  Charlie’s hand pushes open the door
5 seconds	Straight on  Panning movement Long shot, Scene 3 Libby’s house	Lighting Bright light (Shadowy)  Action  Charlie walks in light comes on Anna is revealed to be standing at Charlie’s pool table, about to take a shot.
2 seconds	Straight on No movement Close up Scene 3 Libby’s house	Lighting Bright light (Shadowy)  Action  Charlie looks confused as to why Anna is there
2 seconds	Straight on No movement Close up. Scene 3 Libby’s house	Lighting Bright light (Shadowy)  Action  Anna smirks at Charlie.
2 seconds	Straight on No movement Close up, Scene 3 Libby’s house	Lighting Bright light (Shadowy) Action  Charlie holds a gun behind his back.
3 seconds	(From Annas perspective)  Straight on shot  No movement. Close up Scene 3 Libby’s house	Lighting Bright light (Shadowy) Action  Charlie walks towards Anna who is standing at pool table.
4 seconds	Straight on  Pan down to her hands as she hits pool balls Mid shot Scene 3 Libby’s house	Lighting Bright light (Shadowy) Action  Anna hits pool balls. Anna says: “Took you long enough”
4 seconds	Mid shot Straight on No movement. Scene 3 Libby’s house	Lighting Bright light (Shadowy) Action  Charlie walks to the pool sticks, picks one up and returns to the table.
10 seconds	Close up Panning  High angle—> Low angle.” Scene 3 Libby’s house	Lighting Bright light (Shadowy) Action  Anna slides a cop badge across the table. Camera pans up to her face. Anna: ““I want you to do something. You are good at what you do. Let’s see how good you really are. I’ve been in this business long enough, I live for control over it. You are going to find out everything you can about Veronica.”
2 seconds	Mid shot Straight on Still  Scene 3 Libby’s house	Action  Anna smiles. Anna: “So, tell me Officer; what do you say? You know Veronica wouldn’t like the fact that you have… authoritative connections?” Camera pans down to her hands she hits the ball.  Lighting Bright lights shadowy
4 seconds	Close up  High angle  No movement. Scene 3 Libby’s house	Action  Charlie pours two drinks  Lighting Bright lights shadowy
4 seconds	Close up  High angle  No movement. Scene 3 Libby’s house	Lighting Bright lights shadowy  Action Charlie hands Anna a drink and clinks her glass reluctantly.
4 seconds	Mid shot  High angle Still  Scene 3 Libby’s house	Action  Anna knocks another ball into a hole in one  Lighting Bright lights shadowy
	The top room in the borders area	Action  A piece of paper with coordinates are shown being placed on Charlie’s desk Lighting Bright lights shadowy
2 seconds	close up High angle Still Scene 4 Libby’s house	Action  Charlie write information about Anna in a notepad.  Lighting Bright lights shadowy

4 seconds	Close up  High angle Panning movement.  Scene 4 The top room in the borders area	Action  Anna smiles at a ring puts a note with a name and address into an envelope. The camera pans up to her face after she has does this. She is smiling. This is a pitmans next hit. Lighting Bright lights shadowy
3 seconds	Mid shot Straight angle No movement  Scene 4 The top room in the borders area	Action  Anna walks up to a hit man (Hit man 1) in the office who is holding a gun. She hands him the envelope and says “I will deliver the ring it will make him a easier target to identify. I suspect Jonah Patterson knows too much about our business.”  Lighting Bright shadowy lighting

3 seconds	Mid shot  Panning camera High angle Scene 4 Libby’s house	Action  Charlie is sitting in her house. From Behind Charlie’s head she is looking at a police badge and a notebook against stacks of money Lighting Bright shadowy lighting
1 second	Close up  High angle Still camera Scene 4 Libby’s house	Action  Charlie puts her head in his hands frustrated  Lighting Bright shadowy lighting

4 seconds

Mid shot High angle Still camera Scene 4 Libby’s house

Action  Charlie is writing in her notebook. Then decides she will rip it up. Lighting Bright shadowy lighting

2 seconds	Straight on angle Mid shot Still camera Scene 5 The top room in the borders area	Action  Charlie looks down at his desk noticing a ring on the table.  Lighting Bright shadowy lighting
1 second	High angle Close up Still camera Scene 5 The top room in the borders area	Action  Charlie picks up the ring  Lighting Bright shadowy lighting